David Arnold - Casino Royale (Original Motion Picture ...

Ever wanted to know more about the suave sounds of Casino Royale? My brothers and I dug into David Arnold's epic score in the latest episode of our movie score podcast, Settling the Score! Which Bond movie should we do next?

Ever wanted to know more about the suave sounds of Casino Royale? My brothers and I dug into David Arnold's epic score in the latest episode of our movie score podcast, Settling the Score! Which Bond movie should we do next? submitted by alectarantino to JamesBond [link] [comments]

Ever wanted to know more about the suave sounds of Casino Royale? My brothers and I dug into David Arnold's epic score in the latest episode of our movie score podcast, Settling the Score! Which Bond movie should we do next?

Ever wanted to know more about the suave sounds of Casino Royale? My brothers and I dug into David Arnold's epic score in the latest episode of our movie score podcast, Settling the Score! Which Bond movie should we do next? submitted by alectarantino to DanielCraigBondMemes [link] [comments]

Ever wanted to know more about the suave sounds of Casino Royale? My brothers and I dug into David Arnold's epic score in the latest episode of our podcast, Settling the Score! Which Bond movie should we do next?

submitted by alectarantino to 007 [link] [comments]

David Arnold - The Name's Bond... James Bond (Casino Royale)

David Arnold - The Name's Bond... James Bond (Casino Royale) submitted by duwgd to soundtracks [link] [comments]

David Arnold - Casino Royale OST (2006) [Full Album Playlist]

David Arnold - Casino Royale OST (2006) [Full Album Playlist] submitted by Tele_Prompter to album_picks [link] [comments]

Monty Norman & John Barry & David Arnold - Casino Royale - The Name's Bond... James Bond

Monty Norman & John Barry & David Arnold - Casino Royale - The Name's Bond... James Bond submitted by Tele_Prompter to soundtracks [link] [comments]

David Arnold - Casino Royale - Death Of Vesper

David Arnold - Casino Royale - Death Of Vesper submitted by Tele_Prompter to soundtracks [link] [comments]

Nicholas Dodd & David Arnold - Casino Royale - African Rundown

Nicholas Dodd & David Arnold - Casino Royale - African Rundown submitted by Tele_Prompter to soundtracks [link] [comments]

Casino Royale (Original Motion Picture Soundtrack)(2006)[David Arnold][Sony Classical]

Casino Royale (Original Motion Picture Soundtrack)(2006)[David Arnold][Sony Classical] submitted by Commercial_Common to AlbumCN [link] [comments]

All my respect to the great film composer Thomas Newman and his score to SKYFALL, but I want...no, I *need* David Arnold back for Bond 24. All of his JB scores are brilliant, but particularly CASINO ROYALE (at the 1:14 mark)...

All my respect to the great film composer Thomas Newman and his score to SKYFALL, but I want...no, I *need* David Arnold back for Bond 24. All of his JB scores are brilliant, but particularly CASINO ROYALE (at the 1:14 mark)... submitted by Join_You_In_The_Sun to JamesBond [link] [comments]

Maestro David Arnold (Stargate, Independence Day, Casino Royale, BBC Sherlock, others) Live in Concert - Prague (5.6.2016)

Maestro David Arnold (Stargate, Independence Day, Casino Royale, BBC Sherlock, others) Live in Concert - Prague (5.6.2016) submitted by lucius42 to czech [link] [comments]

Fall of a House in Venice - David Arnold, Casino Royale

Fall of a House in Venice - David Arnold, Casino Royale submitted by CollumMcJingleballs to moviemusic [link] [comments]

Vesper (Casino Royale) - David Arnold (piano + sampled strings)

Vesper (Casino Royale) - David Arnold (piano + sampled strings) submitted by Didlybom to coversongs [link] [comments]

Miami International - David Arnold, Casino Royale

Miami International - David Arnold, Casino Royale submitted by CollumMcJingleballs to soundtracks [link] [comments]

'Miami International' from the Casino Royale Soundtrack: One of David Arnold's Best

'Miami International' from the Casino Royale Soundtrack: One of David Arnold's Best submitted by DocDerz to moviemusic [link] [comments]

David Arnold, "Blunt Instrument". Slow to start but really established the 'Bondness' of Casino Royale

David Arnold, submitted by jrhb to soundtracks [link] [comments]

David Arnold - Casino Royal (City Of Lovers)

David Arnold - Casino Royal (City Of Lovers) submitted by Searingm1 to moviemusic [link] [comments]

007 Complete Expanded Soundtracks - what's officially available?

As both a Bond fan and soundtrack collector, I'm trying to figure what's available in terms of officially licensed and expanded soundtracks for all the 007 films.
Soundtrack company La-La Land Records has already released 2-CD complete scores/expanded editions of The World is Not Enough and Die Another Day, and I'm curious if there have been other releases done to this extent that are now out-of-print or might be in-the-works, perhaps even released by other music companies?
I definitely know there is an unlicensed bootleg of Casino Royale out there that contains the entire and complete David Arnold score, but was never actually made available to purchase. This may not be the case for all the Bond films, or at least since the Brosnan era, and maybe all the Connery and Moore soundtracks that have been released are as complete as they'll ever get?
Any help with this would be appreciated.
submitted by martydmc12 to JamesBond [link] [comments]

Turner Classic Movies (U.S.) Schedule for October, 2020 (All times E.S.T.)

Thu, October 1
(12:00am) Up the Down Staircase (1967/2h 4m/Drama/Robert Mulligan)
(2:15am) Our Miss Brooks (1956/1h 25m/Comedy/Al Lewis)
(4:00am) The Corn Is Green (1945/1h 54m/Drama/Irving Rapper)
(6:00am) The Girl He Left Behind (1956/1h 43m/Comedy/David Butler)
(8:00am) Lafayette Escadrille (1958/1h 33m/Romance/ William A. Wellman)
(9:45am) Dondi (1961/1h 20m/Comedy/ Albert Zugsmith)
(11:30am) The Shoes of the Fisherman (1968/2h 42m/Drama/Michael Anderson)
(2:15pm) Ring of Fire (1961/1h 30m/Drama/Andrew L. Stone)
(4:00pm) Twenty Plus Two (1961/1h 42m/Crime/Joseph M. Newman)
(5:45pm) Marooned (1969/2h 13m/Adventure/John Sturges)
(8:00pm) La Strada (1954/1h 55m/Drama/Federico Fellini)
(10:00pm) Two for the Road (1967/1h 52m/Comedy/Stanley Donen)
Fri, October 2
(12:00am) Dodsworth (1936/1h 41m/Romance/William Wyler)
(2:00am) Destry Rides Again (1939/1h 35m/Western/George Marshall)
(3:45am) Black Girl (1966/1h/Drama/Ousmane Sembene)
(5:00am) Robert Osborne's 20th Anniversary Tribute (2015/47m/Documentary/?)
(6:00am) Go West (1940/1h 21m/Comedy/Edward Buzzell)
(7:45am) The Big Store (1941/1h 20m/Comedy/Charles Riesner)
(9:30am) Double Dynamite (1951/1h 20m/Comedy/ Irving Cummings)
(11:00am) A Girl in Every Port (1952/1h 26m/Comedy/Chester Erskine)
(12:30pm) A Day at the Races (1937/1h 45m/Comedy/Sam Wood)
(2:30pm) At the Circus (1939/1h 27m/Comedy/Edward Buzzell)
(4:15pm) A Night at the Opera (1935/1h 36m/Comedy/Sam Wood)
(6:00pm) The Story of Mankind (1957/1h 40m/Drama/Irwin Allen)
(8:00pm) Dracula (1931/1h 14m/HorroTod Browning)
(9:30pm) Cat People (1942/1h 11m/HorroJacques Tourneur)
(11:00pm) House on Haunted Hill (1958/1h 15m/HorroWilliam Castle)
Sat, October 3
(12:30am) The Haunting (1963/1h 52m/Drama/Robert Wise)
(2:30am) The Queen (1968/1h 8m/Documentary/Frank Simon)
(3:45am) Wigstock: The Movie (1995/1h 25m/Documentary/Barry Shils)
(5:15am) The Relaxed Wife (1957/13m/Comedy/?)
(6:00am) Million Dollar Baby (1941/1h 40m/Comedy/Curtis Bernhardt)
(8:00am) MGM CARTOONS: The Peachy Cobbler (1950/6m/Comedy/Fred [Tex] Avery)
(8:08am) Phonies Beware! (1956/8m/Documentary/Larry O'Reilly)
(8:17am) Night Life in Chicago (1948/8m/Documentary/?)
(8:27am) Arctic Fury (1949/1h 1m/Adventure/Norman Dawn)
(9:30am) The Redskins' Revenge (1937/?/Action/?)
(10:00am) POPEYE: Baby Wants a Bottleship (1942/5m/Comedy/Dave Fleischer)
(10:08Am) Safari Drums (1953/1h 11m/Adventure/Ford Beebe)
(11:30am) Alaska Lifeboat (1956/20m/Documentary/ Herbert Morgan)
(12:00pm) The Prince and the Pauper (1937/2h/Adventure/William Keighley)
(2:15pm) Key Largo (1948/1h 41m/Crime/John Huston)
(4:15pm) The Defiant Ones (1958/1h 37m/Drama/Stanley Kramer)
(6:00pm) The Thomas Crown Affair (1968/1h 42m/Drama/Norman Jewison)
(8:00pm) Lawrence of Arabia (1962/3h 46m/Drama/David Lean)
Sun, October 4
(12:00am) Where the Sidewalk Ends (1950/1h 35m/Crime/Otto Preminger)
(2:00am) Across the Wide Missouri (1951/1h 18m/Adventure/William Wellman)
(3:30am) On an Island with You (1948/1h 47m/Comedy/Richard Thorpe)
(5:30am) Inflation (1942/17m/Drama/Cy Endfield)
(6:00am) The Last of Mrs. Cheyney (1937/1h 38m/Comedy/Richard Boleslawski)
(7:45am) Humoresque (1946/2h 3m/Drama/Jean Negulesco)
(10:00am) Where the Sidewalk Ends (1950/1h 35m/Crime/Otto Preminger)
(12:00pm) Mr. Belvedere Goes to College (1949/1h 23m/Comedy/Elliott Nugent)
(1:30pm) The Women (1939/2h 12m/Comedy/George Cukor)
(4:00pm) Bye Bye Birdie (1963/2h/Comedy/George Sidney)
(6:00pm) The Great Buster: A Celebration (2018/1h 43m/Documentary/Peter Bogdanovich)
(8:00pm) Sherlock, Jr. (1924/51m/Comedy/Buster Keaton)
(9:00pm) The General (1927/1h 23m/Comedy/Buster Keaton)
(10:30pm) Steamboat Bill, Jr. (1928/1h 10m/Comedy/Charles F. Reisner)
Mon, October 5
(12:00am) Seven Chances (1925/45m/Comedy/Buster Keaton)
(2:00am) Viridiana (1961/1h 30m/Comedy/Luis Buñuel)
(3:45am) The Exterminating Angel (1962/1h 35m/Comedy/Luis Buñuel)
(5:30am) MGM Parade Show #5 (1955/25m/Documentary/?)
(6:00am) Roberta (1935/1h 25m/Comedy/William A. Seiter)
(8:00am) Fashions of 1934 (1934/1h 18m/Drama/William Dieterle)
(9:30am) Stolen Holiday (1937/1h 20m/Romance/Michael Curtiz)
(11:00am) Designing Woman (1957/1h 58m/Comedy/Vincente Minnelli)
(1:00pm) Made in Paris (1966/1h 43m/Comedy/Boris Sagal)
(2:45pm) A Place for Lovers (1969/1h 28m/Romance/ Vittorio De Sica)
(4:30pm) Blood and Black Lace (1964/1h 25m/HorroMario Bava)
(6:00pm) Lured (1947/1h 42m/Crime/Douglas Sirk)
(8:00pm) Cash on Demand (1961/1h 24m/Drama/Quentin Lawrence)
(9:30pm) The End of the Affair (1955/1h 46m/Romance/Edward Dmytryk)
(11:30pm) Time Without Pity (1957/1h 28m/Drama/Joseph Losey)
Tue, October 6
(1:15am) John Paul Jones (1959/2h 6m/Action/John Farrow)
(3:30am) Hamlet (1948/2h 35m/Drama/Laurence Olivier)
(6:15am) A Chump at Oxford (1940/1h 3m/Comedy/Alfred Goulding)
(7:30am) Vigil in the Night (1940/1h 36m/Romance/George Stevens)
(9:15am) The Gay Bride (1934/1h 20m/Comedy/Jack Conway)
(10:45am) Swing High, Swing Low (1937/1h 37m/Comedy/Mitchell Leisen)
(12:15pm) Love Before Breakfast (1936/1h 10m/Comedy/Walter Lang)
(1:30pm) Nothing Sacred (1937/1h 15m/Comedy/William A. Wellman)
(3:00pm) Mr. and Mrs. Smith (1941/1h 29m/Comedy/Alfred Hitchcock)
(4:45pm) To Be or Not to Be (1942/1h 39m/Comedy/Ernst Lubitsch)
(6:30pm) The Golden Age of Comedy (1957/1h 19m/Comedy/Robert Youngson)
(8:00pm) Women Make Film: A New Road Movie Through Cinema 06 (2019/Documentary/Mark Cousins)
(9:15pm) The Ascent (1977/1h 45m/Drama/Larisa Sheptiko)
(11:15pm) Women Make Film: A New Road Movie Through Cinema 06 (2019/Documentary/Mark Cousins)
Wed, October 7
(12:30am) Meek's Cutoff (2010/1h 44m/Drama/Kelly Reichardt)
(2:30am) Cameraperson (2016/1h 42m/Documentary/Kirsten Johnson)
(4:30am) Daisies (1966/1h 14m/Comedy/Vera Chytilová)
(6:00am) Meshes of the Afternoon (1944/13m/Short/Maya Deren)
(6:30am) Angry Inuk (2016/1h 25m/Documentary/Alethea Arnaquq-Baril)
(8:00am) The Erl King (1931/1h 10m/Drama/Marie-Louise Iribe)
(9:15am) The Journey (1959/2h 3m/Romance/Anatole Litvak)
(11:30am) The Squall (1929/1h 42m/Drama/Alexander Korda)
(1:30pm) Beautiful Budapest (1938/8m/Documentary?)
(1:45pm) Rural Hungary (1939/9m/Documentary/James A. Fitzpatrick)
(2:00pm) Fight for Your Lady (1938/1h 6m/Comedy/Ben Stoloff)
(3:15pm) Storm at Daybreak (1933/1h 18m/Drama/Richard Boleslavsky)
(4:45pm) The Shop Around the Corner (1940/1h 37m/Comedy/Ernst Lubitsch)
(6:30pm) One Heavenly Night (1930/1h 20m/Musical/Geo. Fitzmaurice)
(8:00pm) No Time for Sergeants (1958/1h 59m/Comedy/Mervyn Leroy)
(10:15pm) A Face in the Crowd (1957/2h 6m/Drama/Elia Kazan)
Thu, October 8
(12:30am) Hearts of the West (1975/1h 43m/Comedy/ Howard Zieff)
(2:30am) Onionhead (1958/1h 50m/Comedy/Norman Taurog)
(4:30am) Thunder Afloat (1939/1h 35m/Comedy/George B. Seitz)
(6:15am) The Public Enemy (1931/1h 14m/Drama/William A. Wellman )
(8:15am) Red-Headed Woman (1932/1h 14m/Comedy/Jack Conway)
(9:45am) Dinner at Eight (1933/1h 53m/Comedy/George Cukor)
(11:45am) Saratoga (1937/1h 34m/Comedy/Jack Conway)
(1:30pm) Hold Your Man (1933/1h 29m/Romance/Sam Wood)
(3:15pm) Red Dust (1932/1h 19m/Romance/Victor Fleming)
(4:45pm) Personal Property (1937/1h 24m/Comedy/W. S. Van Dyke II)
(6:15pm) Bombshell (1933/1h 31m/Comedy/Victor Fleming)
(8:00pm) The Front Page (1931/1h 41m/Comedy/Lewis Milestone)
(10:00pm) Detour (1945/1h 8m/Drama/Edgar G. Ulmer)
(11:30pm) The Man with the Golden Arm (1956/1h 59m/Drama/Otto Preminger)
Fri, October 9
(1:45am) Love Affair (1939/1h 27m/Romance/Leo McCarey)
(3:30am) A Brighter Summer Day (1991/3h 5m/Drama/Edward Yang)
(7:00am) Alice in Movieland (1940/21m/Drama/Jean Negulesco)
(7:45am) Nora Prentiss (1947/1h 51m/Drama/Vincent Sherman)
(9:45am) Born to Kill (1947/1h 32m/Drama/Robert Wise)
(11:30am) Dark Passage (1947/1h 46m/Drama/Delmer Daves)
(1:30pm) Out of the Past (1947/1h 37m/Crime/Jacques Tourneur)
(3:15pm) Race Street (1948/1h 19m/Drama/Edwin L. Marin)
(4:45pm) Impact (1949/1h 51m/Drama/Arthur Lubin)
(6:45pm) The Woman on Pier 13 (1950/1h 13m/Drama/Robert Stevenson)
(8:00pm) The Ghoul (1933/1h 17m/HorroT. Hayes Hunter)
(9:30pm) The Black Sleep (1956/1h 21m/HorroReginald Leborg)
(11:00pm) Mark of the Vampire (1935/1h 1m/HorroTod Browning)
Sat, October 10
(12:15am) Night of the Living Dead (1968/1h 36m/HorroGeorge A. Romero)
(2:00am) White Lightning (1973/1h 41m/Drama/Joseph Sargent)
(3:45am) Gator (1976/1h 55m/Comedy/Burt Reynolds)
(5:45am) The Corvair In Action! (1960/6m/Documentary/?)
(6:00am) The Opposite Sex (1956/1h 57m/Comedy/David Miller)
(8:00am) MGM CARTOONS: Red Hot Riding Hood (1943/7m/Comedy/Fred [‘Tex’[ Avery)
(8:09am) Fortune Seekers (1956/8m/Documentary/Larry O'Reilly)
(8:18am) Historic Maryland (1941/8m/Documentary/?)
(8:27am) Men of the North (1930/1h 1m/Drama/Hal Roach)
(9:30am) The Brink of Doom (1937/?/Action/?)
(10:00am) POPEYE: Alona the Sarong Seas (1942/Comedy/Dave Fleischer)
(10:08am) Bomba In The Golden Idol (1954/1h 10m/Adventure/?)
(11:30am) King of the Islands (1935/17m/Comedy/Ralph Staub)
(12:00pm) Tarzan, the Ape Man (1932/1h 39m/Adventure/W. S. Van Dyke)
(2:00pm) Lili (1953/1h 21m/Romance/Charles Walters)
(3:30pm) Casino Royale (1967/2h 11m/Comedy/John Huston, et. al.)
(6:00pm) Top Hat (1935/1h 45m/Comedy/Mark Sandrich)
(8:00pm) Gunga Din (1939/1h 57m/Adventure/George Stevens)
(10:15pm) The Three Musketeers (1948/2h 5m/Drama/George Sidney)
Sun, October 11
(12:30am) The Racket (1951/1h 28m/Crime/John Cromwell)
(2:30am) Bananas (1971/1h 21m/Comedy/Woody Allen)
(4:00am) Hannah and Her Sisters (1986/1h 46m/Comedy/Woody Allen)
(6:00am) A Midsummer Night's Dream (1935/2h 12m/Comedy/Max Reinhardt)
(8:30am) Journey for Margaret (1942/1h 21m/Drama/Major W. S. Van Dyke II)
(10:00am) The Racket (1951/1h 28m/Crime/John Cromwell)
(12:00pm) Sounder (1972/1h 45m/Drama/Martin Ritt)
(2:00pm) The Secret Garden (1949/1h 32m/Drama/Fred M. Wilcox)
(3:45pm) The Catered Affair (1956/1h 33m/Comedy/Richard Brooks)
(5:30pm) Flower Drum Song (1961/2h 13m/Comedy/Henry Koster)
(8:00pm) The Front Page (1974/1h 45m/Comedy/Billy Wilder)
(10:00pm) The Odd Couple (1968/1h 45m/Comedy/Gene Saks)
Mon, October 12
(12:00am) Sidewalk Stories (1989/1h 37m/Comedy/Charles Lane)
(2:00am) The Firemen's Ball (1967/1h 13m/Comedy/Miloš Forman)
(3:30am) All My Good Countrymen (1968/2h 6m/Comedy/Vojtěch Jasný)
(6:00am) The Reptile (1966/1h 30m/HorroJohn Gilling)
(7:45am) The Killer Shrews (1959/1h 9m/HorroRay Kellogg)
(9:00am) King Kong (1933/1h 40m/Adventure/Merian C. Cooper and Ernest B. Shoedsack)
(11:00am) The Beast from 20,000 Fathoms (1953/1h 20m/HorroEugène Lourié)
(12:30pm) Gojira (1954/1h 19m/Drama/Ishirô Honda)
(2:00pm) Creature from the Black Lagoon (1954/1h 19m/HorroJack Arnold)
(3:30pm) Creature From the Haunted Sea (1961/1h/Comedy/Roger Corman)
(4:45pm) The Green Slime (1969/1h 30m/HorroKinji Fukasaku)
(6:30pm) Night of the Lepus (1972/1h 28m/Comedy/William F. Claxton)
(8:00pm) Sword of Sherwood Forest (1960/1h 20m/Adventure/Terence Fisher)
(9:30pm) Dr. Who and the Daleks (1965/1h 25m/Sci-Fi/Gordon Flemyng)
(11:00pm) Daleks' Invasion Earth: 2150 A. D. (1966/1h 21m/Sci-Fi/Gordon Flemyng)
Tue, October 13
(12:30am) She (1965/1h 44m/Drama/Robert Day)
(2:30am) Violent Playground (1958/1h 48m/Drama/Basil Dearden)
(4:30am) Corruption (1967/1h 31m/HorroRobert Hartford-Davis)
(6:00am) Devotion (1931/1h 10m/Drama/Robert Milton)
(7:30am) The Runaway Bus (1954/1h 18m/Comedy/Val Guest)
(9:00am) The Solitaire Man (1933/1h 7m/Comedy/Jack Conway)
(10:30am) Blind Adventure (1933/1h 5m/Crime/Ernest B. Schoedsack)
(11:45am) Double Trouble (1967/1h 30m/Romance/Norman Taurog)
(1:30pm) A Warm December (1972/1h 39m/Romance/Sidney Poitier)
(3:30pm) The V.I.P.s (1963/1h 59m/Drama/Anthony Asquith)
(5:45pm) The Prince and the Showgirl (1957/1h 57m/Comedy/Laurence Olivier)
(8:00pm) Women Make Film: A New Road Movie Through Cinema 07 (2019/Documentary/Mark Cousins)
(9:15pm) Dogfight (1991/1h 34m/Drama/Nancy Savoca)
(11:00pm) Women Make Film: A New Road Movie Through Cinema 07 (2019/Mark Cousins)
Wed, October 14
(12:15am) Rafiki (2018/1h 23m/Drama/Wanuri Kahiu)
(2:30am) First Love (1977/1h 31m/Romance/Joan Darling)
(2:00am) The House Is Black (1963/21m/Documentary/Forugh Farrokhzad)
(4:15am) The Night Porter (1974/1h 55m/Drama/Liliana Cavani)
(6:30am) Le Bonheur (1965/1h 27m/Romance/Agnes Varda)
(8:15am) Danzon (1991/1h 43m/Dance/Maria Novaro)
(10:15am) The Unholy Three (1925/1h 26m/Drama/Tod Browning)
(12:00pm) The Unknown (1927/1h 1m/Drama/Tod Browning)
(1:00pm) The Blackbird (1926/1h 26m/Comedy/Tod Browning)
(2:30pm) The Thirteenth Chair (1929/1h 12m/Crime/Tod Browning)
(4:00pm) Freaks (1932/1h 30m/HorroTod Browning)
(5:15pm) Mark of the Vampire (1935/1h 1m/HorroTod Browning)
(6:30pm) The Devil-Doll (1936/1h 19m/HorroTod Browning)
(8:00pm) Abe Lincoln in Illinois (1940/1h 50m/Biography/John Cromwell)
(10:00pm) Sunrise at Campobello (1960/2h 23m/Drama/Vincent J. Donehue)
Thu, October 15
(12:45am) PT 109 (1963/2h 20m/Drama/Leslie H. Martinson)
(3:15am) 1776 (1972/2h 21m/Comedy/Peter H. Hunt)
(6:00am) Three Men on a Horse (1936/1h 28m/Comedy/Mervyn Leroy)
(7:30am) Unholy Partners (1941/1h 34m/Drama/Mervyn Leroy)
(9:15am) Sweet Adeline (1935/1h 27m/Romance/Mervyn Le Roy)
(11:00am) Happiness Ahead (1934/1h 26m/Comedy/Mervyn Le Roy)
(12:30pm) Big City Blues (1932/1h 5m/Drama/Mervyn Leroy)
(1:45pm) The Bad Seed (1956/2h 9m/HorroMervyn Leroy)
(4:00pm) They Won't Forget (1937/1h 30m/Drama/Mervyn Leroy)
(5:45pm) Random Harvest (1942/2h 4m/Romance/Mervyn Leroy)
(8:00pm) Tunes of Glory (1960/1h 45m/Drama/Ronald Neame)
(10:00pm) The Life and Death of Colonel Blimp (1943/2h 43m/Romance/Michael Powell)
Fri, October 16
(1:00am) The Seventh Cross (1944/1h 50m/Drama/Fred Zinnemann)
(3:00am) The Diary of Anne Frank (1959/2h 50m/Drama/George Stevens)
(6:15am) Trances (1981/1h 32m/Documentary/Ahmed El Maanouni)
(8:00am) The Little Shop of Horrors (1960/1h 10m/Comedy/Roger Corman)
(9:15am) Village of the Damned (1960/1h 17m/HorroWolf Rilla)
(10:45am) The Brain That Wouldn't Die (1962/1h 21m/HorroJoseph Green)
(12:15pm) Carnival of Souls (1962/1h 20m/HorroHerk Harvey)
(1:45pm) Dementia 13 (1963/1h 21m/HorroFrancis Ford Coppola)
(3:15pm) The Raven (1963/1h 26m/Comedy/Roger Corman)
(4:45pm) Spider Baby (1964/1h 20m/HorroJack Hill)
(6:15pm) The Nanny (1965/1h 33m/Drama/Seth Holt)
(8:00pm) Dead of Night (1945/1h 44m/HorroAlberto Cavalcanti, et. al.)
(10:00pm) Twice Told Tales (1963/1h 59m/HorroSidney Salkow)
Sat, October 17
(12:15am) Black Sabbath (1963/1h 40m/HorroMario Bava)
(2:00am) Enter the Ninja (1981/1h 39m/Action/Emmett Alston)
(3:45am) Revenge Of The Ninja (1983/1h 28m/Action/Sam Firstenberg)
(5:30am) Shake Hands With Danger (1970/23m/Documentary/Charles Oldfather, John Clifford and Herk Harvey)
(6:00am) The Password Is Courage (1962/1h 56m/Comedy/Andrew L. Stone)
(8:00am) MGM CARTOONS: Sheep Wrecked (1958/6m/Comedy/?)
(8:08am) Cave Explorers (1957/8m/Documentary/Heinz Scheiderbauer)
(8:17am) The Capital City Washington, D.C. (1940/8m/Documentary/?)
(8:27am) She Loved a Fireman (1937/57m/Drama/John Farrow)
(9:30am) The Indians Are Coming (1937/Action/?)
(10:00am) POPEYE: A Hull of a Mess (1942/6m/Comedy/Dave Fleischer)
(10:08am) Lord of the Jungle (1955/1h 9m/Adventure/Ford Beebe)
(11:30am) Kissing Time (1933/21m/Romance/Roy Mack)
(12:00pm) Angel and the Badman (1947/1h 40m/Romance/James Edward Grant)
(1:45pm) Captain Horatio Hornblower (1951/1h 57m/Adventure/Raoul Walsh)
(4:00pm) Support Your Local Sheriff! (1969/1h 32m/Comedy/Burt Kennedy)
(5:45pm) Rollerball (1975/2h 9m/Action/Norman Jewison)
(8:00pm) Singin' in the Rain (1952/1h 43m/Comedy/Gene Kelly)
(10:00pm) Summer Stock (1950/1h 49m/Musical/Charles Walters)
Sun, October 18
(12:00am) Destination Murder (1950/1h 12m/Crime/Edward L. Cahn)
(1:45am) The Fearless Vampire Killers; or, Pardon Me but Your Teeth Are in My Neck (1966/1h 38m/HorroRoman Polanski)
(3:45am) House of Dark Shadows (1970/1h 37m/HorroDan Curtis)
(5:30am) Return to Glennascaul (1953/23m/HorroHilton Edwards)
(6:00am) The Life of Emile Zola (1937/2h 3m/Drama/William Dieterle)
(8:15am) His Girl Friday (1940/1h 32m/Comedy/Howard Hawks)
(10:00am) Destination Murder (1950/1h 12m/Crime/Edward L. Cahn)
(11:45am) The Good Earth (1937/2h 18m/Drama/Sidney Franklin)
(2:15pm) Written on the Wind (1957/1h 32m/Drama/Douglas Sirk)
(4:00pm) Dear Heart (1964/1h 54m/Comedy/Delbert Mann)
(6:00pm) Peggy Sue Got Married (1986/1h 45m/Comedy/Francis Ford Coppola)
(8:00pm) Cane River (1982/1h 30m/Drama/
(10:00pm) Losing Ground (1982/1h 26m/Comedy/Kathleen Collins)
Mon, October 19
(12:00am) Exit Smiling (1926/1h 12m/Comedy/Sam Taylor)
(2:00am) I am Waiting (1957/1h 30m/Drama/Koreyoshi Kurahara)
(3:45am) A Colt Is My Passport (1967/Drama/Takashi Nomura)
(5:30am) MGM Parade Show #5 (1955/ 25m/Documentary/?)
(6:00am) I Married a Witch (1942/ 1h 16m/Comedy/René Clair)
(7:30am) Mr. and Mrs. Smith (1941/1h 29m/Comedy/Alfred Hitchcock)
(9:15am) Touch of Evil (1958/1h 35m/Crime/Orson Welles)
(11:30am) Mogambo (1953/1h 55m/Romance/John Ford)
(1:45pm) North by Northwest (1959/2h 16m/Adventure/Alfred Hitchcock)
(4:15pm) In a Lonely Place (1950/1h 31m/Drama/Nicholas Ray)
(6:00pm) Any Number Can Play (1949/1h 52m/Drama/Mervyn Leroy)
(8:00pm) The Hound of the Baskervilles (1959/1h 24m/Mystery/Terence Fisher)
(9:30pm) Horror of Dracula (1958/1h 21m/HorroTerence Fisher)
(11:15pm) The Mummy (1959/1h 26m/HorroTerence Fisher)
Tue, October 20
(1:00am) The Curse of Frankenstein (1957/1h 22m/HorroTerence Fisher)
(2:45am) Frankenstein Created Woman (1967/1h 32m/HorroTerence Fisher)
(4:30am) Frankenstein Must Be Destroyed (1970/1h 37m/HorroTerence Fisher)
(6:15am) Front Page Woman (1935/1h 22m/Comedy/Michael Curtiz)
(7:45am) Wife Vs. Secretary (1936/1h 28m/Comedy/Clarence Brown)
(9:30am) Mr. & Mrs. North (1941/1h 7m/Comedy/Robert B. Sinclair)
(10:45am) Theodora Goes Wild (1936/1h 35m/Comedy/Richard Boleslawski)
(12:30pm) Breakfast for Two (1937/1h 5m/Comedy/Alfred Santell)
(1:45pm) Four's a Crowd (1938/1h 31m/Comedy/Michael Curtiz)
(3:30pm) It's a Wonderful World (1939/1h 26m/Comedy/W. S. Van Dyke II)
(5:00pm) Fools for Scandal (1938/1h 21m/Comedy/Mervyn Le Roy)
(6:30pm) Love on the Run (1936/1h 20m/Comedy/W. S. Van Dyke II)
(8:00pm) Women Make Film: A New Road Movie Through Cinema 08 (2019/Documentary/ Mark Cousins)
(9:15pm) Tomka and His Friends (1977/Drama/Xhanfise Keko
(10:45pm) Women Make Film: A New Road Movie Through Cinema 08 (2019/Mark Cousins)
Wed, October 21
(12:00am) Stop-Loss (2008/1h 52m/Drama/Kimberly Peirce)
(2:00am) The Third Miracle (1999/1h 59m/Adaptation/Agnieszka Holland)
(4:15am) Madeinusa (2006/2h 2m/Drama/Claudia Llosa)
(6:00am) Corpo Celeste (2011/1h 40m/Drama/Alice Rohrwacher)
(7:45am) The Birth, the Life and the Death of Christ (1906/34m/Short/Alice Guy-Blache)
(8:30am) Araya (1959/1h 22m/Documentary/Margot Benacerraf)
(10:00am) Children Of A Lesser God (1986/1h 50m/Romance/Randa Raines)
(12:15pm) Young Dr. Kildare (1938/1h 7m/Comedy/ Harold S. Bucquet)
(1:45pm) Calling Dr. Kildare (1939/1h 26m/Drama/Harold S. Bucquet)
(3:30pm) The Secret of Dr. Kildare (1939/1h 24m/Drama/Harold S. Bucquet)
(5:00pm) Dr. Kildare Goes Home (1940/1h 18m/Drama/Harold S. Bucquet)
(6:30pm) Dr. Kildare's Crisis (1940/1h 15m/Drama/Harold S. Bucquet)
(8:00pm) Hard to Handle (1933/1h 15m/Comedy/Mervyn Leroy)
(9:30pm) Beast of the City (1932/1h 27m/Drama/Charles Brabin)
(11:15pm) They Live by Night (1948/1h 35m/Drama/Nicholas Ray)
Thu, October 22
(1:00am) One Way Passage (1932/1h 9m/Romance/Tay Garnett)
(2:30am) The Prisoner of Zenda (1952/1h 41m/Romance/Richard Thorpe)
(4:15am) Green Fire (1955/1h 40m/Romance/Andrew Marton)
(6:00am) Three Faces East (1930/1h 11m/Spy/Roy Del Ruth)
(7:30am) Born to Love (1932/1h 24m/Drama/Paul L. Stein)
(9:00am) The Common Law (1932/1h 15m/Comedy/Paul L. Stein)
(10:30am) Rockabye (1932/1h 7m/Drama/George Cukor)
(11:45am) Bed of Roses (1933/1h 7m/Comedy/Gregory Lacava)
(1:00pm) Our Betters (1933/1h 23m/Comedy/George Cukor)
(2:30pm) Topper (1937/1h 37m/Comedy/Norman Z. McLeod)
(4:15pm) Topper Takes a Trip (1939/1h 25m/Comedy/Norman Z. McLeod)
(5:45pm) Merrily We Live (1938/1h 30m/Comedy/Norman Z. McLeod)
(7:30pm) MGM Parade Show #5 (1955/25m/Documentary/?)
(8:00pm) The Killers (1964/1h 37m/Crime/Donald Siegel)
(9:45pm) The Breaking Point (1950/1h 37m/Romance/Michael Curtiz)
(11:30pm) Mystery of the Wax Museum (1933/1h 12m/HorroMichael Curtiz)
Fri, October 23
(1:00am) Night of the Living Dead (1968/1h 36m/HorroGeorge A. Romero)
(3:00am) A River Called Titash (1973/2h 39m/Drama/Ritwik Ghatak)
(6:00am) Inside Straight (1951/1h 29m/Drama/Gerald Mayer)
(7:30am) Absolute Quiet (1936/1h 7m/Drama/George B. Seitz)
(8:45am) Chain Lightning (1950/1h 34m/Drama/Stuart Heisler)
(10:30am) Tycoon (1947/2h 8m/Romance/Richard Wallace)
(12:45pm) No Marriage Ties (1933/1h 5m/Drama/J. Walter Ruben)
(2:00pm) Death of a Scoundrel (1956/1h 59m/Comedy/Charles Martin)
(4:15pm) Assignment To Kill (1968/1h 42m/Drama/Sheldon Reynolds)
(6:00pm) The Drowning Pool (1975/1h 46m/Crime/Stuart Rosenberg)
(8:00pm) Creature from the Black Lagoon (1954/1h 19m/HorroJack Arnold)
(9:30pm) The Blob (1958/1h 25m/HorroIrvin S. Yeaworth Jr.)
(11:00pm) The Tingler (1959/1h 20m/HorroWilliam Castle)
Sat, October 24
(12:45am) The Thing from Another World (1951/1h 27m/HorroChristian Nyby)
(2:30am) Ninja III--The Domination (1984/1h 35m/Action/Sam Firstenberg)
(4:15am) Heavenly Bodies (1985/1h 29m/Comedy/Lawrence Dane)
(6:00am) Please Don't Eat the Daisies (1960/1h 51m/Comedy/Charles Walters)
(8:00am) MGM CARTOONS: One Cab's Family (1938/7m/Comedy/Fred [Tex] Avery)
(8:09am) Black Cats and Broomsticks (1955/8m/Documentary/Larry O'Reilly)
(8:18am) Wandering Here and There (1944/8m/Documentary/James A. Fitzpatrick)
(8:28am) King of the Lumberjacks (1940/58m/Romance/ William Clemens)
(9:30am) The Leap for Life (1937/Action/?)
(10:00am) POPEYE: Cartoons Ain't Human (1943/7m/Comedy/Dave Fleischer)
(10:09am) Tarzan and the Amazons (19451h 16m/Adventure/Kurt Neumann)
(11:30am) The Flame Song (1934/21m/Romance/Joseph Henabery)
(12:00pm) Harper (1966/2h 1m/Drama/Jack Smight)
(2:15pm) Brainstorm (1983/1h 46m/Drama/Douglas Trumbull)
(4:15pm) Men of the Fighting Lady (1954/1h 20m/Drama/Andrew Marton)
(5:45pm) Citizen Kane (1941/1h 59m/Drama/Orson Welles)
(8:00pm) Ace in the Hole (1951/1h 59m/Drama/Billy Wilder)
(10:15pm) Flesh and Fury (1952/1h 22m/Drama/Joseph Pevney)
Sun, October 25
(12:00am) Macao (1952/1h 20m/Adventure/Josef Von Sternberg)
(1:45am) The Werewolf (1956/1h 23m/HorroFred F. Sears)
(3:15am) The Howling (1981/1h 30m/HorroJoe Dante)
(5:00am) The Mummy (1932/1h 12m/HorroKarl Freund)
(6:15am) Murder on the Blackboard (1934/1h 11m/Comedy/George Archainbaud)
(7:30am) All This, and Heaven Too (1940/2h 23m/Romance/Anatole Litvak)
(10:00am) Macao (1952/1h 20m/Adventure/Josef Von Sternberg)
(12:00pm) The White Cliffs of Dover (1944/2h 6m/Romance/Clarence Brown)
(2:15pm) Around the World in 80 Days (1956/2h 50m/Adventure/Michael Anderson)
(5:30pm) What Ever Happened to Baby Jane? (1962/2h 12m/Drama/Robert Aldrich)
(8:00pm) 3:10 to Yuma (1957/1h 32m/Drama/Delmer Daves)
(10:00pm) Gunman's Walk (1958/1h 37m/Drama/Phil Karlson)
Mon, October 26
(12:00am) Häxan (1922/1h 46m/HorroBenjamin Christensen)
(2:00am) Diabolique (1955/1h 47m/HorroHenri-Georges Clouzot)
(4:15am) Eyes Without a Face (1959/1h 28m/HorroGeorges Franju)
(6:00am) The Beast with Five Fingers (1946/1h 28m/Drama/Robert Florey)
(7:45am) Mara Maru (1952/1h 38m/Adventure/Gordon Douglas)
(9:30am) They Won't Believe Me (1947/1h 35m/Drama/Irving Pichel)
(11:15am) Where Danger Lives (1950/1h 24m/Crime/John Farrow)
(1:00pm) Fingers at the Window (1942/1h 20m/Mystery/Charles Lederer)
(2:30pm) Footsteps in the Dark (1941/1h 36m/Comedy/Lloyd Bacon)
(4:15pm) Kill or Cure (1962/1h 28m/Comedy/George Pollock)
(6:00pm) The Gazebo (1960/1h 40m/Comedy/George Marshall)
(8:00pm) Nothing But the Night (1972/1h 30m/HorroPeter Sasdy)
(9:45pm) Madhouse (1974/1h 29m/HorroJames Clark)
(11:30pm) From Beyond the Grave (1973/1h 37m/HorroKevin Connor)
Tue, October 27
(1:30am) Scream and Scream Again (1970/1h 34m/HorroGordon Hessler)
(3:15am) The Satanic Rites of Dracula (1973/1h 28m/HorroAlan Gibson)
(4:45am) Dracula A.D. 1972 (1972/1h 40m/HorroAlan Gibson)
(6:30am) Somewhere in Sonora (1933/59m/Western/Mack V. Wright)
(7:45am) Along the Rio Grande (1941/1h 4m/Western/Edward Killy)
(9:00am) Valley of the Sun (1942/1h 24m/Western/George Marshall)
(10:30am) Sagebrush Trail (1933/58m/Western/Armand Schaefer)
(11:30am) Devil's Canyon (1953/1h 32m/Drama/Alfred Werker)
(1:15pm) The Hired Gun (1957/1h 3m/Adventure/Ray Nazarro)
(2:30pm) Black Patch (1957/1h 22m/Western/Allen H. Miner)
(4:00pm) Virginia City (1940/2h 1m/Western/Michael Curtiz)
(6:15pm) Escape from Fort Bravo (1953/1h 38m/Drama/John Sturges)
(8:00pm) Women Make Film: A New Road Movie Through Cinema 09 (2019/Documentary/Mark Cousins)
(9:15pm) Fjols til fjells (1957/1h 30 m/Comedy/Edith Carlmar)
(11:00pm) Women Make Film: A New Road Movie Through Cinema 09 (2019/Documentary/Mark Cousins)
Wed, October 28
(12:15am) Girlfriends (1978/1h 26m/Comedy/Claudia Weill)
(2:00am) The Connection (1962/1h 43m/Drama/Shirley Clarke)
(4:00am) Lost in Yonkers (1993/1h 54m/Comedy/Martha Coolidge)
(6:00am) Party Girl (1994/1h 34m/Comedy/Daisy Von Scherler Mayer)
(7:45am) Mabel's Strange Predicament (1914/Comedy/Mabel Normand)
(8:15am) Foreign Letters (2012/1h 40m/Biography/Ela Their)
(10:00am) Winter Meeting (1948/1h 44m/Drama/Bretaigne Windust)
(12:00pm) I Know Where I'm Going (1945/1h 32m/Comedy/Michael Powell)
(1:45pm) The Enchanted Cottage (1945/1h 31m/Romance/John Cromwell)
(3:30pm) Random Harvest (1942/2h 4m/Romance/Mervyn Leroy)
(6:00pm) Desire Me (1947/1h 31m/Drama/George Cukor)
(8:00pm) The Best Man (1964/1h 42m/Drama/Franklin J. Schaffner)
(10:00pm) The Last Hurrah (1958/2h 1m/Drama/John Ford)
Thu, October 29
(12:15am) The Great McGinty (1940/1h 22m/Comedy/Preston Sturges)
(2:00am) The Candidate (1972/1h 49m/Drama/Michael Ritchie)
(4:00am) All the King's Men (1949/1h 49m/Drama/Robert Rossen)
(6:00am) Haunted Gold (1932/58m/Western/Mack V. Wright)
(7:00am) The Devil-Doll (1936/1h 19m/HorroTod Browning)
(8:30am) Before Dawn (1933/1h/Mystery/Irving Pichel)
(9:45am) Man Alive (1946/1h 10m/Comedy/Ray Enright)
(11:00am) Tormented (1960/1h 15m/Drama/Bert I. Gordon)
(12:30pm) Angel on My Shoulder (1946/1h 41m/Comedy/Archie Mayo)
(2:15pm) Night of Dark Shadows (1971/1h 37m/HorroDan Curtis)
(4:00pm) Indestructible Man (1956/1h 10m/HorroJack Pollexfen)
(5:15pm) From Hell It Came (1957/1h 11m/HorroDan Milner)
(6:30pm) Death Curse of Tartu (1966/1h 27m/HorroWilliam Grefé)
(8:00pm) Winchester '73 (1950/1h 32m/Western/Anthony Mann)
(10:00pm) She Wore a Yellow Ribbon (1949/1h 43m/Drama/John Ford)
Fri, October 30
(12:00am) Primary (1960/1h/Documentary/Robert Drew)
(1:15am) Crisis: Behind a Presidential Commitment (1963/58m/Documentary/Robert Drew)
(2:15am) Dos Monjes (1934/Drama/
(4:00am) Of Mice and Men (1939/1h 47m/Drama/Lewis Milestone)
(6:00am) MGM Parade Show #5 (1955/25m/Documentary/?)
(6:30am) Doctor X (1932/1h 16m/HorroMichael Curtiz)
(8:00am) The Mask of Fu Manchu (1932/1h 12m/Adventure/ Charles Brabin)
(9:30am) The Most Dangerous Game (1932/1h 3m/Drama/Ernest B. Schoedsack)
(10:45am) Island of Lost Souls (1932/1h 10m/Romance/Erle C. Kenton)
(12:00pm) White Zombie (1932/1h 13m/HorroVictor Halperin)
(1:30pm) The Vampire Bat (1933/1h 3m/HorroFrank Strayer)
(2:45pm) Mystery of the Wax Museum (1933/1h 12m/HorroMichael Curtiz)
(4:15pm) Mad Love (1935/1h 7m/HorroKarl Freund)
(5:30pm) The Walking Dead (1936/1h 6m/HorroMichael Curtiz)
(6:45pm) The Return of Dr. X (1939/1h 2m/HorroVincent Sherman)
(8:00pm) The Four Skulls of Jonathan Drake (1959/1h 10m/HorroEdward L. Cahn)
(9:15pm) Eye of the Devil (1966/1h 29m/HorroJ. Lee Thompson)
(11:00pm) The Devil's Bride (1968/1h 35m/HorroTerence Fisher)
Sat, October 31
(12:45am) The Wicker Man (1974/1h 37m/HorroRobin Hardy)
(2:30am) Fleshpot on 42nd Street (1972/1h 20m/HorroAndy Milligan
(4:00am) Guru the Mad Monk (1970/1h 2m/HorroAndy Milligan)
(5:15am) Distant Drummer: Flowers of Darkness (1972/22m/Documentary/William Templeton)
(6:00am) Freaks (1932/1h 30m/HorroTod Browning)
(7:15am) Dr. Jekyll and Mr. Hyde (1932/1h 30m/HorroRouben Mamoulian)
(9:00am) House of Wax (1953/1h 28m/HorroAndre Detoth)
(10:45am) Children of the Damned (1964/1h 30m/HorroAnton M. Leader)
(12:30pm) The Bad Seed (1956/2h 9m/HorroMervyn Leroy)
(2:45pm) The Picture of Dorian Gray (1945/1h 50m/Drama/Albert Lewin)
(4:45pm) The Wolf Man (1941/1h 11m/HorroGeorge Waggner)
(6:00pm) The Haunting (1963/1h 52m/Drama/Robert Wise
(8:00pm) Dr. Strangelove or: How I Learned To Stop Worrying and Love the Bomb (1964/1h 33m/Comedy/Stanley Kubrick)
(10:00pm) Them! (1954/1h 34m/HorroGordon Douglas)
submitted by tombstoneshadows28 to movies [link] [comments]

Skyfall (Bond 23 Review)

Skyfall (Bond 23 Review)
https://preview.redd.it/imjwn5lpxzl51.png?width=1000&format=png&auto=webp&s=d142b0446d938d86b95c807c4b76604f72517240
Probably the best made Bond film, though it just misses the top five because of several factors. Skyfall feels different from Craig’s first two films. It made the wise decision of not referencing lingering plot threads from previous films, allowing it to stand on its own. Perhaps, this is why Quantum of Solace and Spectre are not well-regarded: they tried to build off previous installments and retroactively hurt the stories of their predecessors.
Skyfall draws heavily from the past, returning to the style of earlier entries. Casino Royale is my favorite Bond film, but I do think it was heavy-handed in in its attempts to differentiate Craig from previous Bonds. Bond responding with “Do I look like I give a damn?” when asked if he wants his martini shaken or stirred feels less like a mythology gag and more of a dig against the tropes the franchise created. Shaking up the formula is fine, but changing too much runs the risk of losing what made the franchise what it was in the first place. I appreciated how Skyfall simultaneously deconstructed (an overused word today) and reconstructed the character.
As jarring as it is to see Bond go from being a loose cannon novice to a veteran closer in characterization to the previous Bonds, Craig’s played out Bond addicted to alcohol is quite close to the novels, and nicely picks up where the Dalton films left off. Skyfall realized that Casino Royale was a one-time thing and returning to the formula while adding enough fresh elements was the right way to go. Licence To Kill and Skyfall proved that the films can still be fresh without stripping back almost every aspect of the films.
The cast is great. Judi Dench gets an expanded role as M and it is nice to see her relationship with Bond become a strong focus. As sad as it was to see Dench go, I think her character had a fitting end. Skyfall repeats quite a few beats from previous films, but integrates them quite nicely. Javier Bardem’s Silva is similar to Christopher Walken’s Zorin due to both being major psychopaths. Bardem’s first scene was fantastic and I thought the concept of Bond facing off against a former MI6 agent was done much better than in GoldenEye, where Sean Bean’s Trevelyan was pretty much your typical Bond villain in the end. The mid-plot twist where Silva “wanted to get caught” was the worst aspect of the film for me though, and Q was quite idiotic for plugging in a known cyber-terrorist’s computer into MI6’s servers. Also, the train almost hitting Bond underground made no sense unless Silva had predicted that Bond would follow him. He definitely should have come up with a better plan for preventing Bond from stopping Silva’s assassination of M. Bond films are not the best written films, but they made up for their inconsistencies by not taking themselves seriously. A problem with the Craig films is that they take themselves seriously, but also fall prey to poor writing. This only makes their flaws more evident, which is why Spectre is a mess. Bérénice Marlohe has a small role as Severine. She is similar to Andrea Anders, another ill-fated Bond girl who wants to leave her life as mistress to the villain. The love scene with Bond is a bit off considering she was a child sex slave, but I would not go so as far as to call it rape. The late Albert Finney is nice as Kincade, though one can only imagine how it would have been if Sean Connery accepted the role as intended. After ten years, Q and Moneypenny return, portrayed by Ben Wishaw and Naomie Harris respectively. No one can ever beat Desmon Llewelyn, but Wishaw is a fine counterpart. Playing up Q’s computer skills to the point of having him design advanced security protocols was silly considering he then made the mistake of plugging Silva’s computer to the servers. Harris probably has the best chemistry of any young female in Craig’s era. I have heard some take issue with the implication of Moneypenny sleeping with Bond, but Lois Maxwell (forever the best Moneypenny) and Connery (tied with Dalton for my favorite) had conceived a backstory where Bond and Moneypenny had a romantic weekend and decided to stay apart, so it is not too far off from the originals. Ralph Fiennes makes his debut as the new M and I think he has done a fine job so far, playing one closer to Bernard Lee and Robert Brown while having a larger role.
One area where Skyfall absolutely outclasses Casino Royale is in cinematography. Ignoring the subject of films of the past twenty years using color grading, this is the best-looking Bond film, superior to On Her Majesty’s Secret Service, in my opinion. The Shanghai and Scotland scenes are breathtaking and it is nice to see some nice shots without a yellow palette. Skyfall is an artistic film, and Sam Mendes ran out of ideas quickly. Filmmaking has changed and using the same director for multiple films is not going to work like it used to. Martin Campbell had eleven years to refine his skills, but Mendes’s lack of originality between Skyfall and Spectre is very evident.
The same can be said of Thomas Newman. I have a fond spot for Newman’s score, despite lacking the “Bond” feeling John Barry and David Arnold delivered. It is tied with The Spy Who Loved Me for my favorite non-Barry score. “Shanghai Drive” and “The Chimera” are two of my favorite tracks. The immersion when watching Spectre for the first time in theatres was broken when I kept hearing cues from Skyfall.
Despite being a good film, Skyfall is a bit harder to watch again. It is slower than Craig’s first two films, but this also works to its advantage since this is the first time we have had a Bond film that does not throw constant or tacked-on action at your face since Licence To Kill. Pacing is subjective, but the middle does drag on with Silva’s nonsensical scheme. The opening and ending both provide great action scenes as a respite. Skyfall was the first Bond I saw in theatres and the pre-title sequence, which is a welcome return to the traditional style, still excites me. The climax at Skyfall is unparalleled by none but Licence To Kill. I felt that the Aston Martin DB5’s previous appearances in Goldeneye, Tomorrow Never Dies, and Casino Royale were blatant attempts at nostalgia, but there is some purpose to the DB5 here. Craig’s films were grounded in reality, but the return of the gadget-laden car brilliantly supported the film’s theme of returning to the old ways.
The ending with the old MI6 crew back, and the wooden office with a leather door (a sight that brings tears to one’s eye) was a true return to where we left things off in 1989 and we could finally have Bond undertake traditional adventures while maintaining the originality Craig’s era brought (or so we thought). It may not surpass Casino Royale, but Skyfall deserves applause for respecting Bond’s past while moving forward.
submitted by Cyborg800_2004 to JamesBond [link] [comments]

The World is Not Enough: An Underrated Masterpiece

The World is Not Enough is the most underrated film in the Bond series. T.W.I.N.E is truly one of the best Bond films, and even of the best action films ever made. Almost every elements of the film is perfect, it's like so hard to find flaws. This is easily a top 5 Bond film, if not higher. There are many Bond films worse than this that receive much higher praise, and this disturbs me.
GOOD
-Brosnon - his best film, obviously, and his best performance. She slowly defined and evolved his portrayal over the prior 2 films, and in TWINE, shows more emotional and vulnerable side of Bond than we've never seen before. Also includes some of the best one liners ever put to film, and Sir B's of them delivery is flawless. "I never miss", also "Bond, James Bond" is said in the middle of an action sequence! Truly innovative!
Supporting cast - Dench, Desmond, Cleese, Coltrane, Seru. I mean, fuck me!
-Villians:
Eleckra King - the first and only time a female has been the main villian. Amazing
Rerand - brilliant villian, he cannot feel pain which is a crazy concept, only fault is he's slightly underused. Also the villians plan is original and not remotely similar to any previous plotline, but later was by copied by skyfall (gag).
-Action/Setpieces // god tier
Pre title sequence - literally the best pre title sequence of the entire franchise - this is undebatable, it's literally a fact. It's a 2 in 1, you get the spain scene with the window jump at the very start, and then the extended boat chase, filled with never ending stunts and action, in such an iconic location. WOWzers!
-Plot - simple and easy to follow, but not dumb or boring like spectre.
-Locations - simply put, the best locations ever put to screen in a Bond film. The river thames in London, eastern Europe, spain, Scotland, the fRench Alps, the skiing sequence - omg breathtaking.
-Cinematography - once again, god tier, every frame and shot looks delicious
-Gadgets
Q's boat, avalanche bubble, underwear glasses, watch grapple hook, remote control car etc etc wow...
-Score/Theme Song
David Arnold's best score, along with Casino Royale
TWINE by garbage is the best theme song in the franchise. Shirley Basey? Adele? Duran duran? You no name my? None even come close to TWINE by garbage, a masterpiece of a song.
BAD
-Denise Richards
-The Script perhaps?? but I'm really pushing to find negatives here
As you can see, many many positives and not many negatives, leaving us with one of the all time great Bond films.
submitted by egoalley_thredbo to JamesBond [link] [comments]

Quantum of Solace (Bond 22 Review)

Quantum of Solace (Bond 22 Review)
https://preview.redd.it/etwwsf4r6tl51.png?width=1000&format=png&auto=webp&s=52152d82c722ad3510de6d219415d3a574133b43
A film that wasted a lot of potential. Like Dalton’s second film, Craig’s second was to be a revenge thriller with a stronger focus on character while providing hard-hitting action. Unfortunately, Quantum is a bit underwhelming. Licence To Kill and Tomorrow Never Dies both suffered from production issues, with the latter also having its script still be written during filming. I feel that Quantum’s issues are much more evident than Dalton and Brosnan’s second films, which is a shame considering the plot could have been even more compelling than Licence To Kill’s. Craig’s performance is not as good as his debut. A lot of this is due to the underwritten script. The intention was to show Bond at his coldest with him channeling his rage into his kills. Unlike Licence To Kill, which had Bond truly snap and forgo his duty to her majesty’s secret service, Bond remains dutiful with the ending have him state that the “dead don’t care about vengeance.” It is an interesting contrast between the two Bonds, but Bond’s character does not feel as developed as it should have been. He faces punishment for his actions, as well as killings he did not commit, but Bond never defends himself or opens up to M, resulting in her forcing him to hand over his weapon. It is understandable that Bond would be so driven to continue the mission, but the plot thread of Bond losing his licence to kill feels more forced compared to Licence To Kill or Die Another Day. Like Dalton, Craig gets to show more physicality and grit, but Dalton seemed to show more range in Licence To Kill.
Olga Kurylenko’s Camille is another character hellbent on revenge, but the comparison between her and Bond seems lost since Bond was ultimately not seeking revenge. Mathieu Amaric’s Dominic Greene is good on paper, being a wimpier, less terrifying villain; however, he fails to leave an impact like previous villains did. The action scenes are quite good, with the opening car and foot chases being the highlights. On a side note, I appreciate some of the references to previous films. The opening car chase in a cliffside is reminiscent of Dr. No and The Spy Who Loved Me, with the connection to the former being strengthened by the presence of construction and the chase ending with a car falling off the cliff and exploding. Another callback to Bond’s first film is Craig wearing a tuxedo almost identical to the one Connery wore in his first scene. Craig looked his best here, with a leaner body than in his first and a younger appearance than in the last three films. However, the callback to Goldfinger’s golden girl with Strawberry Fields, your typical sacrificial lion, being drowned in oil felt less like a tribute and more of a reminder of a better film, something Die Another Day had previously done.
A major criticism of Quantum of Solace is the poor editing. It is too haphazard and definitely prevents the action from being great. This carries through with the rest of the film, which is the shortest in the franchise. The relentless pace, which would have made more sense if Bond were truly out for revenge. The short length also adds more credence to the unfinished feel of the film. Marc Forster’s artistic aspirations can be seen with moments like the Tosca scene, but the poor script and editing prevent his vision from truly being realized. David Arnold’s final score for the franchise is a great one, possibly his best. “Night at the Opera” is an atmospheric tune and the action cues are exciting. Arnold’s scores for Casino Royale and Quantum of Solace are criticized for lacking the Bond theme, but I would say that earlier films such as A View To A Kill were guilty of this as well.
On Her Majesty’s Secret Service and Licence To Kill were two Bond films that tried to distinguish themselves from their predecessors, but received mixed reviews. They were reevaluated by critics and fans and have received the praise they deserve. To be honest, I do not think Quantum of Solace will receive the same change in opinion. The aforementioned films had received some unfair criticism. On Her Majesty’s Secret Service will always be more remembered for being Lazenby’s sole film rather than being an impressively shot and scored film. Licence To Kill received criticism for being too different than previous films, despite the direction trying to go back to the source material and after critics and fans criticized the repetitive nature of previous film, and for feeling like an eighties action film, despite Bond always being a franchise that followed trends since the seventies. Quantum of Solace is fairly criticized for having an underbaked script and poor editing. The film resolves very little from Casino Royale, with the Quantum organization remaining an enigma. Spectre made the mistake of merging Quantum with SPECTRE which Quantum contrasted with in some ways. Bond seeking revenge for Vesper’s death also feels disconnected from the rest of the story. To conclude, a comparison between Dalton and Craig’s second films must be made. Licence to Kill is a film that was greater than the sum of its parts due to strong performances from Dalton and Davi and a great story and action. Quantum of Solace is a film whose elements fail to add up due to a seriously undercooked script.
submitted by Cyborg800_2004 to JamesBond [link] [comments]

David Arnold - The Name's Bond... James Bond - YouTube Casino Royal (2006) - Vesper's Themes - David Arnold - YouTube David Arnold piano Vesper from Casino royal (also in ... Death Of Vesper - David Arnold - YouTube David Arnold - Vesper ( Piano - Casino Royale (Vesper) by David Arnold - YouTube David Arnold - Vesper (Casino Royale) - YouTube James Bond - Casino Royale Main Theme

David Arnold gives Casino Royale a proper Bond score. After Thomas Newman's feeble attempts at scoring both Skyfall & Spectre, One can only hope that Ms. Broccoli reinstates the true heir to John Barry's crown for the next installment. Read more. Helpful. Comment Report abuse. redarrow100 . 4.0 out of 5 stars Great Score. Reviewed in the United Kingdom on 18 February 2015. Verified Purchase ... Listen free to David Arnold – Casino Royale (African Rundown, Nothing Sinister and more). 38 tracks (87:51). The soundtrack to the 2006 film Casino Royale was released by Sony Classical on November 14, 2006. The music was composed by David Arnold and is Arnold's fourth soundtrack for the popular James Bond movie series. Frequent collaborator Nicholas Dodd orchestrated and conducted the score. Höre Casino Royale von David Arnold auf Deezer. African Rundown, Nothing Sinister, Unauthorised Access ... View credits, reviews, tracks and shop for the 2007 CD release of Casino Royale (Complete Motion Picture Score) on Discogs. Casino Royale: (David Arnold) For the first time since the age of Sean Connery's famed stint as James Bond, the franchise has summoned the roots of its character and closely followed one of writer and creator Ian Fleming's books. Gone are many of the trademarks solidified by Roger Moore's wise-cracking, easy-going version of the agent in the 1970's. Gone is the sophistication and poise ... David Arnold: Casino Royale. Director: Martin Campbell Released: 2006 Stars: Daniel Craig, Eva Green, Judi Dench The Film: Casino Royale is essentially the prequel to the Bond franchise, introducing a rough and ready James Bond, played by Daniel Craig, who has still to achieve his 'licence to kill' status. If you haven’t seen it, it’s probably not spoiling the plot too much to tell you ... Discover releases, reviews, track listings, recommendations, and more about David Arnold - Casino Royale (Original Motion Picture Soundtrack) at Discogs. Complete your David Arnold collection. Der britische Komponist David Arnold schrieb den Soundtrack zum 21. James Bond-Film "Casino Royale". Ihm ist es gelungen den berümten John-Barry-Sound der alten Bondfilmen in den neuen Soundtrack hineinzubringen und mit eigenen Ideen zu verknüpfen. Das Album ist mit 25 (Orchester-)stücken und 74 Minuten recht voll gestopft. Viele Tracks ... Casino Royale – David Arnold. Veröffentlicht von Mike Rumpf. Er werde auch für zukünftige Bond-Musiken zur Verfügung stehen. Das war eine der zentralen Aussagen von David Arnold in einem Interview gegenüber dem US-Online-Magazin Soundtrack-Net. Verwundern tut dies nicht, denn um die Karriere des Amerikaners jenseits des Agenten mit der Doppel-Null ist es in den letzten Jahren doch sehr ... David Arnold is now second only to the great John Barry with his score for Martin Campbell's "Casino Royale," his fourth Bond foray which is easily the most interesting of his efforts in this musical area, especially since it helps introduce a new 007, Daniel Craig. And it all works wonderfully well. This is perhaps Arnold's best Bond score since his first effort, "Tomorrow Never Dies," which ...

[index] [31195] [12405] [31179] [12389] [5270] [7187] [23763] [10089] [32143] [32649]

David Arnold - The Name's Bond... James Bond - YouTube

From the movie "Casino Royale (2006)". Sweeping piece by Mr. Arnold in what is probably my favorite Bond movie, starring Mrs.Eva Green and those hypnotic/magnetic eyes of hers. Oh yes i almost for... James Bond - Casino Royale Main Theme You Know my Name by David Arnold Performed by Chris Cornell. Theme from the soundtrack of Casino Royal and also used in Quantum of solace. Music composed by David Arnold. EDIT (april) I made a mp3 of the vesper theme s... Me playing Casino Royale (Vesper) by David Arnold.Sheets: http://forpiano.com/movie/1/ Death Of Vesper - David Arnold from Casino Royale Vesper, composed by David Arnold in 2006 for the Casino Royale James Bond soundtrack. The instrument is a Kawai VPC1 controlling a Nord Stage 2 using a sampl... Casino Royal (2006) - Vesper's Themes Compilation - Original Soundtrack Composed by David Arnold(00:00) 1- Solange (1.00)(00:59) 2- Trip Aces (2.07)(03:06) 3...

#